The music we dance to consists of a set of sounds emitted by different instruments. Notice how in this video Todd Yanacone and Kelly Arsenault tend to base their way of dancing on this more general level of music:ģ- Musicality based on music reproduction. This musical colour and energy makes us react differently at different times. Music has colour or character, it transmits energy and this energy is different in each song it can even be different at different times in the same song. Music can invite us to spin, dance in a closed position, make jazz steps. Some, when they feel that the music sounds very strong or loud, they make very big movements while others jump when a single instrument plays some dancers do small steps, others make their partner move while they stand still. Most dancers, with varying degrees of subtlety, perceive this expressive level of music and express it in our dance.Įveryone perceives it and expresses it in their own way. There is music that makes us jump, there are those that make us laugh, there is even some music that invites us not to dance. We think that musicality is one single thing and that, in any case, there are different levels of musicality, each one based on different expressive levels of music.įrom our point of view, we could classify the levels of musicality in:ġ- Musicality based on music colour and energy. In fact, we do not believe that there really are different types of musicality. Depending on the level that is perceived or looked at by each dancer, their musicality will follow one way or another. This means we can speak of very specific aspects (such as the accents that mark the melody) and more general aspects (such as the energy the song gives off or the emotional changes it causes). This can be a good starting point since it is based on the obvious fact that music also has several interrelated levels of expression. Some people talk about micro-musicality (the dancer expresses notes with their movements and expressions) and macro-musicality (the dancer expresses the phrases, the energy, the feelings generated by music). Tee with an incredible ability to use body movements to express and interpret music). Among the little material that we have managed to find, we recommend in case you want to take a look, Musicality Lecture, or some videos about musicality in hip hop, what they call freestyle ( Rockbeats, Swan Phan and, especially this one by Joey Beni L. Unfortunately we have not been able to find very much material about musicality applied to dance. If you are one of these people, please still join us! We want to bring people together, and would love to have everyone join in, regardless of what they can donate.Just like almost all the things we discusss on this website, we cannot answer this question based on the opinion of experts and scholars in these matters. We of course understand that not everyone has a budget right now that allows for this. Meaning, the stream will be available to everyone via our Facebook page and if you enjoy it and want to support us, you can send us a donation for your participation.

So no matter if you are a complete beginner or an experienced dancer, there will be challenges for you. The workshop is for people of all dancing levels. So get ready to find your inner musician and dance like a musician! This workshop will have more dancing and less talking parts than our last Musicality workshop. What rhythms is the band playing? What energy and feelings are they playing with? What melodies and arrangements are they playing? And how can we reflect all of the above choices in our dancing? We will try to be one of the musicians in the band and explore the different roles the musicians have.

Instead of analyzing the structure like in our last Musicality workshop, in this workshop we will work on making an emotional connection to the music. In this workshop we will explore musicality in a more subjective way.

Musicality lindy hop